Modern markers of myth definition

Abstract

The article attempts to philosophically consider the mythological worldview, on the one hand, as an early his-torical type of explanation and understanding of the world, and on the other, as a specific way of thinking andhuman attitude to the world, mixed with the play of feelings, original imagination. The prerequisites and fea-tures of the mythological worldview are revealed, the key markers of the mythological narrative that ensurethe authenticity of the myth are highlighted, and the main functions of the myth are revealed. The concept ofmyth as a vivid expression of the autochthonous symbolic culture, which has not been fully unraveled in themodern world, is considered. This is precisely what caused the emergence of the main philosophical and cul-tural concepts of the interpretation of myth, contradictory and self-valuable, as well as the formation in thisregard of various philosophical and cultural schools in understanding and comprehension of the myth. Ac-cording to most researchers, it was the mythological picture that laid the foundation for all others, represent-ing the “childhood” in the spiritual history of mankind. As is known, the foundations of spiritual and cogni-tive (cognitive) guidelines are laid in childhood, which means that the mythological worldview implicitly (in-directly), in a folded, embryonic state, contains markers of all subsequent worldview pictures — religious,philosophical, scientific. However, the ability to create myths has not “sunk into oblivion”. Moreover, mod-ern myth-making is gaining visible momentum in various areas of human and social activity, destroying theusual markers of defining the mythological type of worldview